But that’s not what this post is about; it’s actually about my back — one that’s reputed for its constant propensity to leave me in tremendous pain. Today was dif—... Apologies, it’s tomorrow now, so, yesterday’s back issues were different. Markedly so. The last time my back got this sort of treatment was... well, I don’t remember really. Enough foreplay now, I think.
I’m still recovering from the countless chills that travelled up and down my spine like it was the goddamn Bandra-Worli Sealink, as I watched This is It last night. As I’m sure a gigantic majority of you, 
dear readers are aware it’s the posthumously edited film containing footage of MJ preparing for his 50-date O2 Arena engagement in London. Now the first thought that entered my mind was that it was either going to begin or end with the “real story” of MJ’s demise and honestly, that would have sucked. Big time.
Fortunately though there was none of that. Only rehearsals and the build-up to the the mammoth London tour. If it’s just one city, I’m not sure if it can be called a tour or not. Hmmm.. something to think about.
Anyway, I won’t go into too many details, so I’ll keep it short. I think it’s fair to say that IF he’d lived on to actually perform the kind of show he was planning... I realise that’s a huge “if”, but stay with me. If he’d actually performed even one of those shows, I can guaran-damn-tee that it would have been the finest live performance ever ever ever witnessed anywhere on this planet. (Sorry Till, Cristoph, Oli, Richard, Flake and Paul... I can’t wait to get my mits on your newest album though, if that’s any consolation)
Where was I? Ah yes, let’s just put it this way, the kind of budget the show had and the way green-screen (chroma to some of you) was being used all over the place and music videos were being created on a whim... well, it’s a kind of Roland Emmerich, Stephen Sommers, Ridley Scott and Peter Jackson project with William Gibson, Anne Rice and Haruki Murakami ideas... And obviously, the music is banging!
I’m gushing, I realise. You would too if your spinal column had been turned to jelly over the course of around two hours or so. Jelly-fic! The kind of attention to detail the man paid was something that really shines in the film or maybe the film’s made to look like he was hands-on. I don’t know. I especially enjoyed the bits where he was
communicating and sharing ideas with musicians on how to mix it up with songs, by singing the parts for them, whether “bum-ba-thish-thish-boo-doo-ba” to the bassist or hitting one of them high-pitched notes for the incredibly talented Orianthi Panagaris (in picture) to work out a guitar solo. Not once did he cheapen his music to chords and notes and octave this and bar that. His tunes were always beyond all that.
What was weird though, was his repeated “God bless you”s, but then he was always supposedly a bit kookie. What I felt also was that this massive routine that was being planned — though visually and aurally fantastic — would probably get a little old by the 12th or 13th show. Once you’ve seen it and been mesmerised, would it hold the same awe the next time around? Maybe they had different routines planned. Maybe they expected a new set of 20,000-odd people to turn up to each show.
dear readers are aware it’s the posthumously edited film containing footage of MJ preparing for his 50-date O2 Arena engagement in London. Now the first thought that entered my mind was that it was either going to begin or end with the “real story” of MJ’s demise and honestly, that would have sucked. Big time.Fortunately though there was none of that. Only rehearsals and the build-up to the the mammoth London tour. If it’s just one city, I’m not sure if it can be called a tour or not. Hmmm.. something to think about.
Anyway, I won’t go into too many details, so I’ll keep it short. I think it’s fair to say that IF he’d lived on to actually perform the kind of show he was planning... I realise that’s a huge “if”, but stay with me. If he’d actually performed even one of those shows, I can guaran-damn-tee that it would have been the finest live performance ever ever ever witnessed anywhere on this planet. (Sorry Till, Cristoph, Oli, Richard, Flake and Paul... I can’t wait to get my mits on your newest album though, if that’s any consolation)
Where was I? Ah yes, let’s just put it this way, the kind of budget the show had and the way green-screen (chroma to some of you) was being used all over the place and music videos were being created on a whim... well, it’s a kind of Roland Emmerich, Stephen Sommers, Ridley Scott and Peter Jackson project with William Gibson, Anne Rice and Haruki Murakami ideas... And obviously, the music is banging!
I’m gushing, I realise. You would too if your spinal column had been turned to jelly over the course of around two hours or so. Jelly-fic! The kind of attention to detail the man paid was something that really shines in the film or maybe the film’s made to look like he was hands-on. I don’t know. I especially enjoyed the bits where he was
communicating and sharing ideas with musicians on how to mix it up with songs, by singing the parts for them, whether “bum-ba-thish-thish-boo-doo-ba” to the bassist or hitting one of them high-pitched notes for the incredibly talented Orianthi Panagaris (in picture) to work out a guitar solo. Not once did he cheapen his music to chords and notes and octave this and bar that. His tunes were always beyond all that.What was weird though, was his repeated “God bless you”s, but then he was always supposedly a bit kookie. What I felt also was that this massive routine that was being planned — though visually and aurally fantastic — would probably get a little old by the 12th or 13th show. Once you’ve seen it and been mesmerised, would it hold the same awe the next time around? Maybe they had different routines planned. Maybe they expected a new set of 20,000-odd people to turn up to each show.
What was downright bizarre was how someone in that level of fitness, was found as such a broken man when they found his body. There’s no way that person could be the same MJ. Note: I am not supporting Joe Jackson’s theory about the use of body doubles. And at the same time, MJ was one of the only people onscreen who wore full-sleeves throughout the documentary. You never get to see his arms. Which leads me to believe that a) he may have been cold (Thank you, Chim-tee) or b) his arms were covered with injection marks, which would seem logical.
But, now’s not the time to discuss all that. I hear the film’s in theatres only for two weeks. Go watch it. You won’t be sorry. Just as I’m not sorry that I’m not ending this post with some lame way using the phrase “This is It”.
Chamone!
P.S. - Also saw the trailer for the upcoming 2012 and well, that did a whole different number on my spine. There’s a special place in my heart for disaster films and this particular one is shaping up very nicely to occupy a little corner in that special place.
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