What’re you trying to prove?

Ad-libbing lyrics in songs is one of the more fun things one can do in a group, especially a drunken group. Now whether it be at Fuzz Club/BLEACH or at Yorks or even General, some of the most hilarious times I recall were usually right after some particularly funny ad-libs. The classics of course, were the “B-sides” that involved mainly AJG and me (and often an army of others) turning songs by Rage Against The Machine, System Of A Down, Disturbed and countless other bands into paeans to cheese and ham, brioche rolls, sleeping till late and some other less-than-complimentary concepts attributed (perhaps unfairly) to a friend of ours.

Then there were the General Sessions© that featured musical tributes to chips, Johnson’s stupidity, gaathia, all-night dandia and other such essential elements of life to the music of Bon Jovi, Metallica, Godsmack, Limp Bizkit and such like. The purpose of this exercise was not because we were devoid of original ideas. In fact, far from it. We enjoyed these songs and wanted to put a new twist on them. A customisation to suit present company. And it was a hoot. It was never for commercial gains or success either.

The major success one gained from this ad-libbing was being able to elicit laughter. If you did a particularly funny rhyme, your target got laughed at and if you’re ad-lib was lame, you were the one being laughed at. Everyone was a winner. And at the end of the night, each original track still had its dignity. Even professional bands ad-lib. Some change their own lyrics, some borrow lyrics from another band’s song and throw them in, just to get a pop out of audiences. But none of this is done with a view to making oneself seem cool or to make money. It’s always just about making a good time slightly more special.

Which is probably why I was mildly irritated (initially) and damn near apoplectic a few minutes later after listening to a song by another one of those dime-a-dozen products that America keeps churning out of its cookie-cutter of shit.

When I watched The Wedding Singer over 12 years ago, a song that plays at the very start of the film caught my attention. The song had that typically 80s vibe which made it catchy as hell and it got stuck in my head like a fishhook. Being an 80s classic, of course the theme was rooted in that era — it’s a song about hitting on someone, nothing particularly lewd or crude. Playful, more than anything. It was years later that a cover of that song by a nu-metal band, blew my mind. While preserving the playful theme and flow of the original, the song was now harder, edgier and rocked way way harder.

Now we return to 2010. A few years after Dope had “had their way now, bay-bayyyyyy” with Dead or Alive’s track, some unoriginal dipshit (look at his name if you need further evidence) called Flo Rida decides to get himself a piece of the action. Don’t get me wrong. I love covers that are vastly different from the originals, as long as they are a reflection of the spirit of the original song. One such cover is Terrible Lie (Maynard James Keenan’s version of a Nine Inch Nails track).

But back to Flo Rida now (what’s next? A reggae act called Mass Achu Setts?). So if it’s not bad enough that he wants to have a name like that, he decides to mess with a classic. In the process, he ropes in a woman (with probably the most ghetto-ass name out there) called Kesha (or is it Ke$ha?). And they go and turn You Spin Me Around (Like a Record) into a song about oral sex. What the hell, man?

“You spin my head round, when you go down-down?” Are you serious? Then after “Ke$ha” has finished singing that line, Mr Rida jumps in with something that sounds like “hibidi jibidi dibidi doo, hibidi jibidi dibidi foo” (I shit you not. If you don’t want to take my word for it, assail your ears and listen to it. It actually sounds like that). What he probably meant was something like “my ride’s so dope, my bling gives me hope, come play with my rope”. It’s horrific that people can get away with something like that. I’m all for songs about sex, sure. But not every song needs to be about sex. And these fuckwits killed the spirit of the song by shitting all over it for nothing but commercial purposes. Songs about fucking sell. It wasn’t something special done at a live show or among friends.

And I know what you’re going to say. You’re going to tell me that I have a bias against hip-hop. You’re going to tell me to stop taking lyrics so seriously because “the song is great to dance to”. Well first of all, I don’t think the song is hip-hop at all. There’s hip-hop and there’s pop music, both of which are genres that know where they stand and do their thing. I may not be a fan, but they believe in what they’re doing. Hip-pop is the category that this cock-sucking cover falls under. It’s got all the “bling-bling, guns, bitches and hos” stereotypes from hip-hop and the manufactured fakeness of what passes for pop (not talking about the late MJ here) today.

As for the point about dancing to it, go for it, dance to it. I don’t think it was ever my contention that you shouldn’t dance to it. I was merely railing against the uninspired, unoriginal, lame way Mr Rida (or the person who writes his “music”) decided to turn one of the most playful songs ever into just another piece of drivel about fucking. And there’s so much of it out there already. Just what are you trying to prove? That you have a dick?

Answers may be sent to the usual address. (I really hope he or ghetto-ass name woman reply)